Athena’s philosophical and critical coherence, as artist, designer, stylist and spiritual philosophical student, that single-minded conscientiousness which has marked her actions in each of those incarnations, was forged, albeit out of a body of work already formed, in those upcoming months of creating new works.  It is a matter of a prevailing spirit and feeling, an atmosphere of creativity, the implications of which went beyond matters of metier and style.  Athena places herself in single intuitive pressure in rediscovering her former rhythms, essentially abstracting and configuring of elements, from past imagery and referring to earlier works. Those dispositions of regurgitated imagery of colour and shape whose interrelations determine the spatial dynamics of the imagery that she portrays. It’s visual effect and affective impact, whether it is figurative or non-figurative in intention.